10.4. MORE WORKOUT FOR REAL-TIME TALK

PICTURE: A TEAM

Grammar books vary vastly in guidance on Modal verbs and the Conditional or Unreal Past. We can exercise our grammar relativity, to manage.

10.3. WORKOUT FOR REAL-TIME TALK

We can use Form Relativity with the Progressive and real verbs. We can use stories. “I’d be reading horoscopes”, says Ms. Seges. “That is …?” (Mr. Seges does not believe Ms. Seges would ever read horoscopes.) “This looks like a calligraphic copy of Vespucci’s letters. It was slipping out of our backyard hedge, no covers or front matter.” “Hadn’t it sure taken a lot to make such a book, I’d suspect that Babbitt next door. Bill once wrote me the book I was looking for was as likely to be obtained as a calligraphic of Vespucci’s originals. It was completely a legend, he checked with the Freeman’s.”

10.1. THE UNREAL PAST OR CONDITIONAL: REAL TIME

PICTURE: ABSTRACT TIME

We do not have to view Modal, Conditional, or Unreal Past patterns as separate. With Perfect tenses, our syntactic HAVE helps tell about real time. It has an open real-time frame. With the Unreal Past or Conditional, HAVE tells about hypothetical time. HAVE is not part the real map, then. It comes with an auxiliary compass for relative time.

CHAPTER 10. FORM RELATIVITY GALORE

We can view verb forms as generally relative, for hypotheses. PRESENT forms can tell about the FUTURE. PAST forms can tell about the PRESENT. ANTECEDENT PAST forms can tell about the PAST.

9.4. MODAL RELATIVITY PRACTICE

PICTURE: A RENDERED RAINBOW

Our use of the word "relativity" is not about physics or families. It is linguistic. We can acquire the Modal relativity step-by-step, and spare our arrows. Let us remember they indicate the target time, not the verb form.

CHAPTER 9. TO TELL THE FASHION IN VALUABLE TIME

. . . Let us think about Madame Règle. She has the potential to have lunch at Latimer Sauf’s restaurant every day. He always has a table for his friends and she has enough money. However, her work with Paris haute couture designers often keeps her over the lunchtime. Her coming to lunch is probable, but not certain. CERTAINTY requires both potentiality and probability. Let us think about Monsieur Sauf’s birthday. Madame Règle will come to meet him. It is certain.

8.2. PRACTICE FOR ALL ASPECTS

PICTURE: 4 ASPECT MAPPING VALUES WITH PATTERNS

To practice independent language use, we have only part the cues to put our verbs into the PAST, and then in the PRESENT. We mind Expression and do not give up on a mild sense of humor. “The grain of sand could think about wisdom. What was wisdom? It might be a grain of wit and manhood well resolved, but the grain of sand did not consider going into a drama like that of Samson the Agonist really necessary. Thinking about own format as potentiality by another, it deliberated whether it was, as a grain of sand, a fruit of ability or mere industriousness.”

8.1. EARTHLING BASIC VARIABLE

PICTURE: EARTH FROM ONE MILLION MILES AWAY, NASA

For all tenses, this is always the first element in the verb pattern to change with the time extent (PRESENT, PAST, or FUTURE). It changes the same in our Fields of Time. We can say that it is the form closest to our cognitive ground. It changes the same for our value ON.

CHAPTER 8. ALCHEMY OF TIME FOR BEGINNERS

Most grammar resources agree that we have four Aspects in English, the Simple, the Progressive (or Continuous), the Perfect, and the Perfect Progressive (or Perfect Continuous). By the label, we can say the Perfect Progressive should have features of the Perfect and the Progressive. We extracted general patterns for the Simple, Progressive, and Perfect in … Continue reading CHAPTER 8. ALCHEMY OF TIME FOR BEGINNERS

7.1. PRACTICE FOR THE HEART AND THE MIND

The Simple and Progressive Aspects compared: "stative verb" use described with regard to human cognitive activity.